HeavenlyKunoichi-Chan
PSA for those wanting to follow me

Okay, after a good while reporting and blocking pornbots and other bots. I had it… I have blocked more bots in the past month then I ever had in the past couple years.

If anyone is going to follow me please on your icon its not the generic icon or hot people in suggestive poses with nothing in your dashboard.

Please anyone who is new write a post that you are new and getting settled.

Pornbots and other bots (except the Hiaku bot, they’re cool) DNI with this blog ever again.

thisarenotarealblog:

terriwriting:

anarcho-skamunist:

anarcho-skamunist:

jrpg final bosses will seem way too over the top but then I encounter one fruit fly irl and start to monologue when it dodges me

“no… how did you survive my attack… what is this power??”

Me chasing a mosquito at 2 in the morning: “You insignificant little pest. How dare you disturb me?! I will destroy you and all your kind!”

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the-void-machine-system:

dzamie:

luisonte:

One punch man

THE FLOURISH AND SHEATHE

As a professional swordsman should

pterribledinosaurdrawings:

pterribledinosaurdrawings:

pterribledinosaurdrawings:

pterribledinosaurdrawings:

pterribledinosaurdrawings:

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@1kittynoir1 replied to your post:

What did it get used for? 👀

It’s not done yet, but it’s the facing, collar, and cuffs for the patchwork dressing gown I’m working on!
It was less than half a metre of silk/rayon velvet that I dyed in college because the sample we did of that colour was so nice I wanted a bigger piece. (It was PRO MX fibre reactive dye in the colour Marine, and I don’t have my dye sample book with me right now but I think it was at 4%. It shows up more green on some fibres and more blue on others, but is always gorgeous.)

I had no specific plans for it at the time, but eventually the perfect project came along, and there was just enough!

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I’ve been working on this thing (intermittently, in short busts) for a few years now, and am finally done the patchwork and on to the construction. I’ve posted occasional updates on @vincentbriggs and will post photos there when I’m done.

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I’ve also been filming the whole process, so I’ll have a video about it up on my youtube channel eventually, but that’ll be a while after it’s finished because I have so so so many clips and it’s going to take a horrifyingly large amount of editing.

It’s based on this c. 1835 original, which is a good 50-100 years later than what I usually sew, but I like it and I wanted one.

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If anyone’s wondering how many triangles mine has, it’s 6,957.

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Since I’ve got the time consuming part out of the way I’m hoping I can get the construction done before winter officially ends.

Edit: Why does everyone think I had a bad time working on the triangles?? I loved working on them, it was so satisfying to put lots of little bits of colour together. The reason I worked on it intermittently is because I could not put it down once I got working on it, and would work on it all day for several days straight until I was very tired and sore, and then I had to put it away to stop myself, and then I’d forget about it for a few months.

Also, they’re machine sewn. Most of the actual garment construction will be by hand, but the patchwork is all by machine.

I finished my dressing gown.

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And besides the velvet, it of course used up a lot of other little bits of fabric!

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(Once again, my sewing and other non-dinosaur works are mainly posted on @vincentbriggs)

Video finished :)

It’s an hour and 13 minutes long and I say 11,785 words in it.

i want to build up my skill set to one day be able to make something like this!!!! #op this is 1) absolutely gorgeous & 2) so much helpful information! thank u for sharing 🥰 #all the shots of twirling in the finished garment made me so so happy i got a little teary-eyed???
#‘it looks very nice. it reminds me of — you know when people have extra nipples?’ #absolutely Took Me Out i hollered #like that comment toward the end of such an earnest video? so unexpected. so fucking hilarious

Thank you!! Good luck on your sewing! And I’m glad my Very Correct nipple observations were appreciated

deliicacymercy:

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✨ Humanformer! TFA Starscream Commission for @m0thisonfire

Original Design was created by M0th!

I have five slots left for Humanformers Character Sheets if you are interested!!

bbgatile:

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drawing human versions of non-human characters has never been my thing but with tf i find it fun to explore holoforms

some of these headshots are quite old and from different artworks which is why the styles/quality varies but i liked them enough to include them in the collage (i was also too lazy to redraw them)

notes about some of the designs under the cut if ur curious:

Keep reading

tlatollotl:

textile

Cultures/periods: Chimu (?) Chancay (?)

Production date: 900-1430

Made in: Peru

Provenience unknown, possibly looted

Textile fragment; cotton plain weave ground with paired warps; camelid supplementary weft patterning; feline figure; cream and black.

British Museum

ancienthistoryart:

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The exquisite and elegant braided hair of the Caryatids. 421-406 BC. Erechtheion/Acropolis of Athens, Greece.

sixteenseveredhands:

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2,300-Year-Old Plush Bird from the Altai Mountains of Siberia (c.400-300 BCE): crafted with a felt body and reindeer-fur stuffing, all of which remains intact

This artifact was sealed within the frozen barrows of Pazyryk, Siberia, for more than two millennia, where a unique microclimate enabled it to be preserved. The permafrost ice lense formation that runs below the barrows provided an insulating layer, preventing the soil from heating during the summer and allowing it to quickly freeze during the winter; these conditions produced a separate microclimate within the stone walls of the barrows themselves, thereby aiding in the preservation of the artifacts inside.

This is just one of the many well-preserved artifacts that have been found at Pazyryk. These artifacts are attributed to the Scythian/Altaic cultures.

Currently housed at the Hermitage Museum.

paradimeart:

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redraw of a bit from a bridge too close